Jay Simeon
Haida
Born into the Haida Nation, Jay Simeon has been an active practicing artist since 1990. His work reflects a deep respect for Haida tradition, paired with an ongoing exploration of contemporary expression in both two- and three-dimensional forms.
Jay’s artistic journey began at the age of fourteen under the guidance of Sharon Yeltatzie-Hitchcock, who introduced him to the foundational rules that govern Haida art in design, formline, and structure. Under her mentorship, he learned the disciplines of both two-dimensional and three-dimensional design, painting techniques, jewelry, and argillite carving.
He furthered his understanding of Haida design and philosophy through studies with Rick Adkins, delving into advanced design principles, anatomy, and jewelry techniques, while exploring the deeper philosophies underlying Haida art. With Ron Russ, Jay refined his skills in argillite carving and finishing, learning the subtle techniques that bring the stone to life. He also worked with Pat Dixon and his brother Denny Dixon, gaining hands-on knowledge in tool making and the careful selection and working of argillite.
Jay’s formal education includes a two-year program in Art and Jewelry Design at Vancouver Community College, complemented by an intensive ten-month jewelry engraving course with Dwayne Simeon in 2000. He also studied under Robert Davidson, taking an Advanced Design course that expanded his understanding of positive and negative space, pushing the boundaries of traditional Haida formline design.
Throughout his career, Jay has been deeply committed to community and mentorship. He has donated numerous artworks and materials to community raffles and events, volunteering his time and energy to support cultural continuity. As a mentor and teacher, he takes on apprentices and provides training for emerging artists, helping to sustain and evolve the Haida artistic tradition.
Jay’s work has been widely exhibited in major galleries and museums across North America, including:
- 2004 – Jewelry of the Northwest Coast, Douglas Reynolds Gallery
- 2004 – Trade Secrets, Douglas Reynolds Gallery
- 2004 – Totems: Silent Messengers of the West Coast, Coastal Peoples Gallery
- 2004 – Tradition / Progression, The Inuit Gallery
- 2005 – Changing Hands: Art Without Reservation 2, Museum of Art and Design
- 2006 – Raven Travelling: Two Centuries of Haida Art, Vancouver Art Gallery
- 2006 – Mini-masterworks: Small in Scale, Large in Stature, The Spirit Wrestler Gallery
- 2007 – Coastal Legacy: From Intricate to Monumental, Coastal Peoples Gallery
- 2008 – Mini-masterworks II, The Spirit Wrestler Gallery
- 2009 – Continuum: Vision and Creation on the Northwest Coast, Bill Reid Gallery
- 2009 – Challenging Tradition: Contemporary First Nations Art of the Northwest Coast, McMichael Canadian Art Collection
- 2009 – Mini-masterworks III, The Spirit Wrestler Gallery
- 2011 – Silver: Celebrating 25 Years, Lattimer Gallery
- 2011 – Mini-masterworks IV, The Spirit Wrestler Gallery
- 2012 – Shore, Forest and Beyond: Art from the Audain Collection, Vancouver Art Gallery
- 2013 – Niijangaa: Haida Masterworks II, Coastal Peoples Gallery
- 2014 – In the Spirit of the Ancestors, Burke Museum
- 2017 – Niijangaa: Haida Masterworks III, Coastal Peoples Gallery
Jay Simeon’s work embodies the continuity and innovation of Haida art—rooted in ancestral knowledge, guided by mentorship, and expressed through a lifelong dedication to cultural and artistic excellence.